Monday, 17 November 2008

Synopsis



My animation will follow a man named Reggie, who is stuck in a dead-end office job and seeks a more exciting life. His boredom leads to him daydreaming in which he fulfills his wildest dreams. The animation starts in a grey scale and develops into colour as he slips into a dream like state. The dark and gloomy beginning is a contrast to the vibrant atmosphere of his 'dream'.

The outline of my story is based on the poem 'Island Man' written by Grace Nichols:

Morning
and island man wakes up
to the sound of blue surf
in his head
the steady breaking and wombing

wild seabirds
and fishermen pushing out to sea
the sun surfacing defiantly
from the east
of his small emerald island
he always comes back groggily groggily

Comes back to sands
of a grey metallic soar
to surge of wheels
to dull North Circular roar

muffling muffling
his crumpled pillow waves
island man heaves himself

Another London day


I will recite parts of the poem over my animation.

My film will end with the sound of a car horn, which wakes my character, returning him to reality, a depressing gloomy work day.

Friday, 14 November 2008

Monday, 3 November 2008

Statement Of Intention First Draft

'SOUTHPARK' INFLUENCE

I am going to produce a flash animation for my assessed coursework and have been analyzing a number of cartoons and animations which could inspire and give me ideas for for my project. Including Family Guy, The Simpsons, Studio Ghibli Productions, Southpark and Monty Python Animations.

I focused on the animated comedy series, South Park. I was drawn to the visual style and the simplicity of the animation. The use of bold simple colours and 2-dimensional animation is a contrast to the sophistication of the narrative. The creators Matt Stone and Trey Parker were influenced by stop motion cut-out animation used in Monty Python's Flying Circus which explains the simplicity of the animation. 

I also studied family guy in detail. I was heavily influenced by the facial features of each character and hope to emulate the visual comedy it creates. 

AUDIENCE

The facial expressions used in southpark and Family guy covey real emotion and provide physical comedy to the audience which is what i want to also illustrate. In class we looked into formalism and realism, and I believe my idea involves both these genres. My Idea is influenced by the formalism genre however the production will be un-complicated displaying hints of the realism genre.

I hope the audience of my film should take my animation as a break from reality almost like a dream of some sort. My film is a simple idea and doesn't rely on the audience to interpret it for themselves.

FLASH PRODUCTION

I am exploring many techniques in flash, in my preproduction i hope to create a car traveling down a road, a simple idea however flash does restrict you and i aim to create a simplistic and clean cut production. To create a dreamy supernatural atmosphere i will insert a shape tween to the whole animation which slightly distorts the image. I will use contrasting colours so the audience will be able to identify what is reality and dream. I will apply a greyscale to reality and vibrant bold colours to the dream.     

Monday, 13 October 2008

Classical Hollywood Cinema

Between 1910s and the 1960s, classical hollywood cinema was at the forefront of the film industries golden era. Movies were rolling off the hollywood assembly line and were increasing box office profits to a new high. 

Here are some examples from the genre:
  • Casablanca 
  • Wonderful Life
  • King Kong
Is Classical Hollywood Cinema Formalist?

Classic Hollywood cinema uses continuity editing also known as invisible editing. This technique gives the audience the impression they are watching and are involved in the story. Stereotypically, a Hollywood Classic film follows a protagonist character who struggles to reach their goal. The story is over dramatized and exaggerated by using epic music and unrealistic form of interpreting the narrative e.g. voice over explaining the situation.  


Monday, 6 October 2008

German Expressionism

What are the key features of German Expressionism?

This genre originated in Germany during the 1920's and uses many features that make it original, including:
  • Dramatic lighting
  • Distorted sets
  • Symbolic action
  • and Characterisation
Where can the influence of German Expressionism be seen in film history?

German expressionism has had a heavy influence on many films and movements throughout cinematic history. Many contemporary films have adapted G.E features. For example, Tim Burton' s 'Batman Returns' which is often seem as a modern attempt to capture the essence of German Expressionism. The angular building designs and dark severe-look of Gotham City relates back to G.E films like 'The Cabinet of Dr. Caligari'. The dark manic atmosphere created in G.E is also displayed in hundreds of top selling horror films we see today.



Thursday, 25 September 2008

The directors Influence On: The Cabinet of Dr. Caligari

I am going to write a short overview of the formalist film 'the cabinet of dr. caligari' and comment on the directors influence on the film. I will look at a number of features of the film, including camerawork,mis-en-scene, plot, sound and lighting.

A 1920s silent film directed by Robert Wiene. 'the cabinet of dr. caligari' was at the fronteir of the german expresionism movement and is one of the earliest and most influential films of this genre. Critics comment on how 'dr. caligari' has influenced the film noir genre and is known to be one of the earliest made horror films.

The plot follows the story of a deranged Doctor and his sleepwalking partner, they both are linked to a number of murders in a small german town. The story is told by a sequence of flashbacks from the perspective of francis.

The setting is mainly situated in a fair ground. The backdrop is almost sereal, the set is distorted and has a big part to play in contrubuting to a artistic formalist setting, which is displayed frequently throughout. Irregular shaped shadows and eerie manic music also adds to the insain atmosphere created by the director. The set director used techniques to create this mentalist set e.g. flat back drops and painted on shadows on the set walls.

The director Robert Wiene and writers Carl Mayer and Hanz Janowitz, lived in post world war one Germany, during a very unstable period when Adolf Hitler was atempting to secure control over germany. The writers of the plot were heavily influenced by there past experiences. Carl Mayer and Hanz Janowitz were working together to create the story to 'dr. caligari' and met in berlin, Mayer experienced sessions with a cycotic military pychiatrist after the war which he said influenced the character, dr. caligari. Janowitz also included personal experiences in the film, once when he left a fair ground he said he glimpsed a strange figure in the dark, the next day a woman was found dead near the same area. The film created a feeling of mystery and depression which related to the times they all lived in, it dealt with many important political issues in a diverse formalist way.

Tuesday, 23 September 2008

Film Influences


Howl’s Moving Castle

The imaginative creation by the renowned, Oscar winning director Hayao Miyazaki influenced my ideas for my animation. Colour is an important factor within the film, the contrast between dark and light shades create moods and feelings which I wish to re-create in my animation. I admired how simple the animation is in some parts but how effective it is. Also how they plant emotion and feelings in every character, particularly in facial expressions and body movement for example when Howl is depressed because of his appearance his whole body language slumps and his facial expressions darken. Also the story line is extremely imaginative and almost dreams like, which is what I want my film to reflect to the audience. The art is stunning; I want my film to illustrate this type of animation genre.


Friday, 19 September 2008

Class Formalist Film

As a class we have been studying the difference between formalism and realism. These are the dictionary definitions for both terms:

Formalism- A method of aesthetic analysis that emphasizes structural elements and artistic techniques rather than content, especially in literary works.

Realism-The representation in art or literature of objects, actions, or social conditions as they actually are, without idealization or presentation in abstract form.

After, we looked at the key features of both methods and were given the task in creating a formalist film. As a class we decided on the idea of 'walking a dog' and then developed the idea from there. I was given the job with lewis and imran to organize the camerawork. The rest of the class were sectioned into developing other aspects of the film including: sound, lighting, mise en scene and editing. together we decided on a wide range of different shots and angles to demonstrate different points of view to the audience and confirm the idea of formalism. 
  • canted shot 
  • worms eye view
  • birds eye view
  • wide shot 
  • establishing 
  • extreme close up
we included only a few of these shots during the filming as we only had a narrow stage to film on we included canted shot, worms eye view and close ups. Lewis was on the camera so i aided in the lighting side of the project, which i think was very successful in producing a formalist film. 

Having watched the rough cut i think the varied camera angles and shots contributed in producing a creepy formalist film. the most successful shots were the close ups which caught the overall theme of the film. When watching the film the audience are made to interpret it in their own personal way as the story line of 'walking a dog' is so abstract, this is a devise of the genre.       

 

Friday, 13 June 2008

My First Blog

In my blog I will be recording my progress through my Moving Image AS level and will start a production diary commenting on how its going. I will include images, videos and text on this page.
This is a video we watched as a class yesterday.